Inner movies

Sitting quietly in meditation is the best research lab to observe the minds behaviour when it isn’t being interrupted, called to order. Sitting quietly, we inquire into our experience: can we exit our mental multiplex cinema at will?  Or do you find yourself moving from one inner movie to another, to another, a triple feature of memories and fantasies of last year, next year, the ups and downs  of love and work and family recast in a seemingly endless tape loop? Is this really freely chosen or a chained-to-the-theater-seat compulsive habit? Meditation practice is based on a simple commitment— the commitment to being fully present in mind and body.

Gaylon Ferguson,  Natural Wakefulness

Going slower

We have the impression that the busier we are, the faster we should go and so we rush about. But if we look closely at “speeding to achieve more,” often we achieve less and sometimes things fall by the wayside or apart. We are limited by our physical, mental and emotional energy and there can be space and time constraints. Do we think that we are above these limits and constraints and can run around, accumulating projects and activities regardless? Or do we recognize and appreciate these limits and constraints and instead of fighting or hoping to transcend them, creatively engage with them? The basis for this creative engagement could be this phrase “the busier I am, the slower I should go.”

We can use this phrase in different ways. It could help us look at how we organize ourselves. Do we take on too much? Are we realistic about how much we can accomplish? How do we work? What are our assumptions? But even more so how do we feel or think? Do we need to feel busy to feel alive and worthy? Are we grasping at the feelings of rushing about and excitement? What would it mean to go slower? Would it be so bad? It might help us to prioritize better. What is important or essential now? What is urgent and non-urgent? When we are busy and excited everything seems urgent and essential but we can multi-task only so much before we collapse.

Martine Batchelor, The Busier you are, the Slower you should go

A relationship with the world

Life can only find you if you are paying real attention to something other than your own concerns, if you can hear and see the essence of otherness in the world, if you can treat the world as if it is not just a backdrop to your own journey, if you can have a relationship with the world that isn’t based on triumphing over it or complaining about it

David Whyte, The Three Marriages; Reimagining Work, Self and Relationships

Right in front of us

What is right in front of us we see the least. We glasses-see-clearly-7take the plants in the room for granted. We pay no attention to the coming of night. We miss the look of invitation on a neighbour’s face. We see only ourselves in action and miss the cocoon around us. As a result,  we run the risk of coming out of every situation with no more than we went into it. Learning to notice the obvious, the colours that touch our psyches, the shapes that vie for our attention, the looks on the faces of those who stand before us blurred by familiarity, blank with anonymity – the context in which we find our distracted selves – is the beginning of contemplation. Awareness of the power of the present is the essence of the contemplative life. “Oh wonder of wonders”, the Sufi master says, “I chop wood, I draw water from the well”.

Joan Chittister, Illuminated Life

An attitude of acceptance

P1000282In the attitude of acceptance we can allow ourselves to be receptive to life rather than try to control it, run away from, or resist it. This receptivity contrasts resistance. Culturally, we tend to be conditioned into resisting things. There is a fear of being open and receptive, as if by doing so we shall allow something to take us over. We feel we have to develop some kind of protection in order to keep ourselves from being annihilated or taken advantage of; it is a kind of paranoia of the mind.

Ajahn Sumedho, Liberating Emotions

Noticing

The important thing is not
To imagine one ought
Have something to say,
A raison d’etre, a plot for the play.
The only true teaching
Subsists in watching
Things moving or just colour
Without comment from the scholar.
To look on is enough
In the business of love.

Paddy Kavanagh, Is