Holding a space and not forcing meaning

We get a lot of opportunities in our lives to practice with difficult events we do not understand or experiences that we do not know how they will turn out in the end. So there is a constant dialogue between emptiness and form, with the mind preferring to have definite form most times. We like to be able to give things a definite name, even, paradoxically, preferring to put words like “I’m falling apart”  on an experience of confusion or doubt, rather than leave it as an unpleasant feeling.  We quickly like to compare experiences with words like “not as good as”,  or “went really well”  becoming fixed early or immediately after some event. The problem with this is that the mind tends to solidify around the naming and fix the experience there, even though its full meaning has not yet come to light. So there is a wisdom in not naming, in being able to hold a space around an experience which in ongoing. The main ongoing skill in mindfulness practice , which we return to over and over again,  is being present in the present moment. We are between what has happened ( which is now a memory, but may be quite active in our emotions and fears, influencing our naming) and what could happen (which is at this moment just a thought). We are in the present, which is really the only time there  is. We try to ground our whole sense of balance there, instead of creating fears and what-if’s in our rush to have meaning.  Everything else is uncertain.

In-between is where humans always are,
that’s what we have to welcome,
a story with an uncertain ending.

And this condition is interesting if you inhabit it;
it’s alive.

If I’m facing something that I don’t know what to do,
the “not knowing” is what is true,
and the resources that I have,
deeply ignorant that I am,
will have to be enough.

John Tarrant

The depth beneath our thoughts.

In 1929 the British Broad­casting Corporation decided to start broadcasting “live silence” in memory of the dead instead of just halting transmission for two minutes every day; it was important, it was felt, to hear the rustle of papers, the singing of the birds outside, an occasional cough. As a BBC spokesman put it, with rare wisdom, silence is “a solvent which destroys personality and gives us leave to be great and universal.” It permits us, in short, to be who we are and could be if only we had the openness and trust. A chapel is where we hear something and nothing, ourselves and everyone else, a silence that is not the absence of noise, but the presence of something much deeper: the depth beneath our thoughts.

A chapel is where you can hear something beating below your heart.

Pico Iyer, Where Silence Is Sacred

A morning meditation

I place on the altar of dawn:
The quiet loyalty of breath,
The tent of thought where I shelter,
Wave of desire I am shore to
And all beauty drawn to the eye.

May my mind come alive today
To the invisible geography
That invites me to new frontiers,
To break the dead shell of yesterdays,
To risk being disturbed and changed.

May I have the courage today
To live the life that I would love,
To postpone my dream no longer
But do at last what I came here for
And waste my heart on fear no more.

John O’Donohue, A Morning Offering

Sunday Quote: Share

The Joy that isn’t shared,
I’ve heard,
dies young.
 
Anne Sexton, Welcome Morning

From dawn to dusk, compete and yet not

Light filters through tinted windows over a set of stairs at United Evangelical Lutheran Church on Sunday, March 25, 2012, in Swiss Alp , Texas. ( Smiley N. Pool / Houston Chronicle ) Photo: Smiley N. Pool, Staff / © 2012  Houston ChronicleAs the house of a person
in age sometimes grows cluttered
with what is too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.

As the thoughts of a person
in age sometimes grow sparer,
like a great cleanness come into a room,
the soul may grow sparer;
one sparrow song carves it completely.
And still the room is full,
and still the heart.

Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.

Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.

Jane Hirshfield, (extract), Standing Deer

Importance in the ordinary

 

The ordinary arts we practice every day at home

are of more importance to the soul

than their simplicity might suggest

Thomas Moore